New Music from Nathaniel Schmidt

Musician, composer and Dancing Monkey, Nathaniel Schmidt, has been working with Project InTandem, creating the score to RESIDUE created by Meghann Michalsky & Matt Hall.

Project InTandem is a double-bill dance theatre production – the performances will take place at the Pumphouse Theatre in Calgary from November 9 to November 11. Along with RESIDUE, the event will feature VITAL SIGNS created by Sylvie Moquin.

Meghann Michalsky participated in Dancing Monkey’s WE MUST COLLIDE, and Sylvie Moquin participated in Humanoid – A LOVE SUPREME.

 

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New – *PAGE ONE – REPRISE

The latest instalment of *PAGE ONE:  Actor Tristan D. Lalla reading p.39 of REPRISE by Mike Czuba.

**Page One is a video initiative by Dancing Monkey Laboratories to connect with actors, dancers, designers, and anyone else really, to read the first page of one of Mike Czuba’s plays (*or – a page from anywhere in the text, or the last page, or a collection of sections, eventually even the screenplays – it’s flexible – and contains many an ‘ish’ as is suggested by Nocturology‘s non-existent, yes strongly suggested, theatrical guidelines.)

NOBODY SAY ANYTHING – LIVE.

Dancing Monkey’s Nathaniel Schmidt is about present his latest musical endeavour called Nobody Say Anything. The group is comprised of Nathaniel with Chris Dadge, Mark, Limacher, and Nate Waters. They play music like you’ve maybe never heard but maybe you have – but not from them.

Thanks to a Small Experiments Grant from CADA (Calgary Arts Development), they were able to put this show together and experiment with new sounds and new ways discovering sounds. It would be great if you could join them at this live concert event in fulfillment of the the grant. There will be beer and a few other special surprises.

June 29th, Festival Hall, 1215 10 Ave SE, Calgary, Alberta. Doors open at 7pm.

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Poster design by the very cool Gregg Muller.

Accidental Euphoria – NEXTFEST.

Melissa Tuplin will be bringing her latest solo work “Accidental Euphoria” to NEXTFEST in Edmonton as part of the PIVOT Dance series curated by the Good Women Dance Collective.

The story of a Dance: http://www.theatrejunction.com/a-day-in-the-life-accidental-euphoria/

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L’UniThéâtre in La Cité Francophone | 8627 91 St.
Friday, June 2, 2017 at 8:00 (talkback to follow)
Saturday, June 3, 2017 at 7:00pm
Sunday, June 4, 2017 at 5:00pm

“The floor seemed wonderfully solid. It was comforting to know I had fallen and could fall no farther” – Sylvia Plath, The Bell Jar

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*Originally performed as part of Dancer’s Studio West’s Alberta Dance Festival.

A review from The Dance CurrentCalgarian Melissa Tuplin’s Accidental Euphoria, a solo performed with notable virtuosity. Through a series of tension-laden, contorted positions, Tuplin gave off the impression of riding a euphoric-depressive roller coaster. Reference to the medically induced hypertensive crises resultant of Iproniazid usage, a strong antidepressant prescribed in the 1950s that caused intracranial hemorrhages, was Tuplin’s creative seed for the work, according to her program notes. Sensations at extremes of the pain-pleasure continuum were embodied with kinesthetic efficiency, which generated empathy.

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Photos courtesy of:  Tim Nguyen / Citrus Photography and Dancers’ Studio West.

KARL NIMENI: REDUX – DREAMS

On the night of April 22nd, Dancing Monkey once again dove into the Nocturlogical deep end to investigate the philosophies of Karl Nimeni and the trial of Charles Fleming. As part of Theatre Junction Grand’s “La Nuit Sauvage” fundraising event, the Monkeys, with spiralar thinking, re-litigated Charles Fleming’s crimes and continued to seek the original dream that led to his arrest.

Featuring: Melissa Tuplin, Amy Sawka and members of TimePoint Ensemble.
Text by: Mike Czuba
Design by: Leon Schwesinger
Music by: Nathaniel Schmidt.

A special thanks to Theatre Junction Grand, Tonya Lailey, Karen Bell, Guy de Carteret, Lizzy Evashkevich and Aldona Barutowicz.

“The concept of the unclear is difficult because we are programmed for order and an outcome, for containment and catharsis but, but… Why can’t we be in the space between a part and apart so we won’t be blinded by trickery? What if we ask the questions but let the answers arrive when they’re ready? What if we reveled in our un-understanding? What if, what if we didn’t try to make sense of everything and let mystery back into our lives? What if we find a gnome and ask the question, have you ever dreamt of a tree?”

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